Sometimes when I look at the CBC I just want to shake my head and ask what could these people possibly be thinking? CBC has some very successful programming. Hockey Night in Canada continues to roll along with more than 2 million viewers each week even though the presentation and style are deeply rooted somewhere in the last two decades of the last century. I believe it is a testament to Canada’s love of hockey and has nothing to do with what CBC Sports adds to the value of the production.
Dragon’s Den has captured a substantial audience. Over a million Canadians seem to love to watch new business ideas, both creative and crazy, being either praised or panned by a panel of so-called experts who we are told have the funds and the experience to bring a good idea to market. It’s reality TV that works, but for the record, it could just as easily run on CTV or Global and it is a bought “format.” This show runs as a local production in dozens of countries.
CBC has always done a great job of producing sketch comedy. This Hour has 22 Minutes, Rick Mercer Report and the late lamented Royal Canadian Air Farce.
Where the network has fallen down most is in producing high quality, high concept drama and situation comedy. Little Mosque on the Prairie manages to be mostly humorless and a throwback to 1950’s style situation comedy. In Security is just plain embarrassing, unfunny, unwatchable.
The Republic of Doyle just manages to be okay as it combines a 1980’s TV private detective idea with the beauty and zaniness of Newfoundland. Finally, shows like Being Erica and Heartland have never really drawn the numbers CBC needs and they have never managed to be special or Canadian in any way I can see.
The shocking thing for me is that CBC may have the very best Canadian produced program and they have buried it where few people can find it, and worse, where the potential audience is the smallest available in prime time.
Hello! Kirstine Stewart! Have you ever watched The Fifth Estate? If you have and you allow it to continue to run on Friday evenings you don’t deserve to hold the esteemed position you now have at the CBC. If you haven’t, shame on you for not caring enough about the kind of programming CBC has done best for six decades, the programs that built the CBC. From the days of This Hour has Seven Days, to Newsmagazine, to The Journal, to Marketplace, to Ombudsman the CBC has consistently produced some of the best current affairs programs anywhere.
The Fifth Estate is as good as journalism gets on TV and further it is as great a program as any produced in this country. Every week Linden MacIntyre, Hana Gartner, Bob McKeown and Gillian Findlay churn out excellent hour long documentary reports that never fail to engage the audience. Usually the stories open our eyes to events, people or ideas that we knew little about or they provide context and clarity to some of the most important stories in the news.
Last week Linden MacIntyre hosted a wonderful backgrounder on the rise and fall of Libyan strongman Mouammar Kadhafi. Not only was it a thorough and well produced backgrounder on a leading figure in the news, it brought international perspectives from the likes of Tony Blair and Condoleezza Rice. This was a show that all Canadians should have had the opportunity to see. With all eyes turned toward the uprisings in the Middle East the interest here among both news junkies and casual news viewers should have resulted in an audience of over 1.5 million. Too bad the show is buried. Even more heinous is the lack of publicity given to a program that is so important.
Two weeks ago The Fifth Estate deconstructed the shenanigans surrounding the police handling of the G-20 Summit in Toronto. I thought I knew that story inside out and was prepared to change the channel. I tuned in and I was hooked. The reporting was excellent and the insights were important. Once again I wondered if anyone knew this show was on.
This year The Fifth has covered stories ranging from the code of toughness to hockey to two episodes on Colonel Russell Williams. In the past The Fifth has blown the whistle on lottery cheating and even the sale of tainted tuna. Folks, the quality of The Fifth Estate is not hit and miss. It is consistently great journalism and even better, it is consistently great TV.
The time has come for the CBC bosses to recognize what they have. A prominent time slot on a Sunday or Monday evening is needed. More important, the powers that choose who gets the publicity dollars have to let Canadians know what’s on this program consistently and effectively. I guarantee that if Canadians knew about the content of The Fifth Estate and if it was aired at an advantageous time and day, the audience would soar to the numbers that Rick Mercer gets and more.
I should add that Marketplace needs the same kind of treatment. It should be on the air from September to May. It should have a decent time slot. It deserves to be publicized.
The CBC brass has shown its disdain for current affairs since the day Richard Stursberg showed up on their doorstep. Building a big audience has been the mantra spouted by everyone in charge. The result has been for the most part mediocre drama, bad sitcoms and a reliance on reality TV. What hurts most is that the tools were there to build audience all along. Shows like The Fifth Estate and Marketplace can be ratings winners. David Suzuki’s show still produces excellent science programming. These shows are cheap compared to drama. They have drawn big audiences in the past and they can do the same in the future. From where I sit they are the answer to the CBC’s problems. Too bad nobody in head office realizes this.
Filed under: Media Commentary, CBC, CTV, David Suzuki, Dragon's Den, Global, Hana Gartner, Hockey Night in Canada, In Security, Kirstine Stewart, Linden MacIntyre, Little Mosque on the Prairie, Marketplace, Rick Mercer, The Fifth Estate, The Republic of Doyle, This Hour has 22 Minutes
April 4, 2012 • 3:46 am 0
King Richard: in his own words
Having just returned from a marathon two month stay in South America and a side trip to Montreal, it came as a bit of a surprise to see that Richard Stursberg, the former grand poobah of all things English at the CBC is back too, and he’s back in a very big way.
It seems Stursberg has a new book out, “The Tower of Babble” that tells the inside story of his tumultuous tenure at the national broadcaster. It should be an interesting, perhaps maddening, look at the machinations of the folks who ran the corporation and a behind the scenes account of some of the most divisive time in CBC history.
As a sort of preview King Richard wrote what he and The Globe and Mail are calling an essay entitled “How to Save the CBC.”
If the book is anything like the essay it will be both a direct and indirect exercise in self-congratulations. Heck if Stursberg pats himself on the back at the same rate as in his essay, he will need shoulder surgery to correct the rotator cuff damage he inflicts on himself.
Stursberg’s essay in Globe starts with the amazing idea that he presided over the CBC’s Golden Age. He says audience numbers were sinking at the CBC since the 1970’s. By the time he took over they were at their lowest in history. This is sort of true. What Stursberg fails to point out however, is that CTV, Global, in fact all terrestrial broadcasters lost audience in those years. As new channels, cable and specialty came on board, audience numbers spiraled downward. In the 1970’s the worst rated network show in Canada still got a 20 audience share. By the time the new millennium started the highest rated network shows in Canada were barely able to get a share of 18. The falling numbers had more to do with the new 500 channel universe than the CBC’s failures.
He goes on to say that starting in 2006, when the CBC began to reinvent itself…code for: the Stursberg leadership years, the CBC had a rebirth in both numbers and interest. So much so that the CBC has never been stronger than it is today.
There’s more than a little hyperbole here. Never! What about the 50’s and 60’s when CBC was either the only network or one of two networks? Nevermind that. More important, let’s look at how CBC raised its ratings under Stursberg. First of all, the national network forgot it’s mandate. They stopped running arts programming. The arts on CBC was an important outlet for serious dance, music, and the like. Sure it got poor audience numbers but it served a community that had no other access on television to this sort of programming. The same for religious programs, remember “Man Alive?” Stursberg led a regime that rooted out and killed anything that didn’t meet his audience numbers expectations. So yes, if you remove a show with 100,000 viewers on ballet and replace it with a drama that gets 500,000 viewers overall numbers will rise, but at what cost to the services provided? An awful lot of important CBC support disappeared with the mandated shows.
Stursberg also takes credit for the success of CBC radio. He points out that Gian Ghomeshi’s “Q” gets more listeners than Peter Gzowski got in the good old days. The numbers data he is working from is correct. The context is AWOL.
CBC Radio is doing marvelously well. I suggest that the quality of the programs is an important factor, but a far more important reason is the fact that private radio has shot itself in the foot. Too many stations sound the same. Too many stations are programming to baby boomers who are not listening to as much radio as they did when they were teenagers and at the same time young listeners are having a hard time finding the music they want to hear. The only competition CBC Radio has is from sports talk and phone in shows. Luckily Stursberg and company never got around to fiddling with Radio One’s content or they might be in the same boat as private radio is today…leaky and sinking.
Stursberg takes credit for the CBC’s producing programs that according to him compete favorably with shows produced in the U.S. If that’s the case why is there not a single CBC show in the top 20 other than hockey? If that’s competing, I’d hate to see what losing looks like.
He claims CBC has beaten Global in prime time for the past four years. Huh? Yes the CBC beat Global the year of the writers’ strike in the U.S. when all Global was running was re-runs. Other than that I have never seen numbers that place CBC ahead of Global.
King Richard even has the temerity to suggest that “Marketplace” and “The Fifth Estate” are doing better today. What the… The fact that those two shows are doing reasonably well is a tribute to the fine people that make those shows. Moving “The Fifth” to Friday night away from the larger audience night on Wednesday did hurt the numbers. They are now below one million viewers most nights. And what the CBC did to “Marketplace” is beyond disgusting. It has been moved all over the schedule and it has seen it’s season shortened. How do you do that to one of your most successful shows? The folks who produce those programs deserve a medal for overcoming the odds that were stacked against them by Stursberg and co.
Stursberg goes on to make some interesting points about the damage that’s being inflicted on the CBC by the government cuts. He even has some interesting, if very general and unexplained thoughts about how the CBC should proceed in the future, but make no mistake, Richard Stursberg is playing fast and loose with the facts to build up his own legacy. It’s not that he is completely wrong, it’s that he is manipulating the facts in the most self-serving of ways. Read his book. It is important to understand where he was coming from, but don’t be fooled by the rhetoric. The CBC is in trouble. The mandate is all but gone and forgotten. And contrary to what Stursberg says, too few Canadians care about the future of the CBC, and for that reason, he has more than a little ‘splaining to do.
Filed under: Media Commentary, CBC, CTV, Gian Ghomeshi, Global, Marketplace, Peter Gzowski, Richard Stursberg, The Fifth Estate