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The real story about media that you won't find in the mainstream media.

Bye Bye Network TV

With all the ‘bull’ being raised at the CRTC hearings in the National Capital District it amazes me that nobody has glommed onto the obvious. The great television networks of North America are a dying breed. CTV and Global are wasting their time and ours by arguing for a future that doesn’t exist. In fact if you read between the lines, subscription fees are another way of saying “we want to be a cable service.”

The greedy part of what they are doing is that they are attempting to keep all the perks of over-the-airways channels: must-carriage, simulcasting, the best spots on the dial, while charging the same sort of fees that TSN, Slice or W charge.

The real truth is that they cannot win these new fees without offering something huge in return. The most obvious is to promise greater amounts of Canadian content. It will be the CRTC’s job to make sure that the content they offer is in the form of drama, comedy and documentary production. The nets would far prefer to offer cheaper reality TV. The nets will offer the Canadian programs in dead zones like opposite hockey, Friday nights, outside prime time. It will be the CRTC’s job to get guarantees for a percentage of prime time and while I’m at it, an assurance that Canadian shows will have the same sort of promotion budgets that the big U.S. shows get.

I’m not holding my breath. The CRTC is toothless in dealing with the networks. Global seldom if ever lives up to its license guarantees. CTV uses every trick to shortchange Canadian production. The CRTC has always been silent on any transgression.

The bread and butter of CTV and Global is the big U.S. blockbuster series. That’s where they get their audience. That’s where they make their money. The U.S. shows are way cheaper to buy than spending $2 million and more per episode on Canadian drama. And here’s the rub: the U.S. networks are in as bad shape as CTV and Global.

Many American media experts point to two events in the past year as forewarning the end of the network era. First came Jay Leno’s new prime time talk show. It basically said NBC doesn’t have the money to produce three hours of prime time every weekday. More recently Oprah’s announcement that she is walking away from her hugely successful show that runs on network television. Everyone knows she will reappear on her own cable station that’s about to be picked up by cable and satellite companies in the U.S.

The writing is on the wall. NBC is trying to sell itself to Comcast, the biggest U.S. cable operator. What’s fascinating about this sale is that it’s General Electric’s cable channels: Bravo, USA, MSNBC, SyFy and CNBC, not NBC are what Comcast wants, not the fourth place broadcast network.

The experts agree that broadcast TV that relies on advertising may be a broken model. In a recent article in the U.S. Tim Arango and Bill Carter looked at the future of broadcast networks:

“The business model of the big three networks — which became four when Fox began prime-time programming in 1987 — has for decades relied on a simple formula: spend millions on original programming that will attract advertiser dollars and later live on as lucrative reruns in syndication.
But ratings are going down. In the 1952-53 television season, more than 30 percent of American households that owned televisions tuned in to NBC during prime time, according to Nielsen. In the 2007-8 season, that figure was just 5.2 percent.
The mass audience — the bread and butter of broadcast networks — has splintered into niches as viewers flock to alternative entertainment choices on the Internet, to video games and to cable channels dedicated to individual tastes, like Ms. Winfrey’s forthcoming OWN, the Oprah Winfrey Network.
And yet, programming remains expensive — a network drama costs about $3 million for one hour — and advertisers are becoming reluctant to pay ever-rising premiums for prime-time shows. All the networks have tried to adjust, putting on more reality programming, for example, that is cheaper to produce.
NBC made perhaps the biggest bet of all — moving Jay Leno to prime time each night at 10, saving the millions it would have cost to develop a scripted show in that time spot. The Leno move has been the subject of intense scrutiny by the media, because Mr. Leno’s ratings have lately fallen on several nights well below even the modest guarantees NBC made to advertisers.
While networks have found it difficult to charge ever-higher advertising rates in the face of declining ratings, big cable channels — like USA, TNT and TBS — have flourished with the millions of dollars in subscription fees from cable operators that they receive, on top of advertising.
“The cable players have a robust affiliate fee stream that allows them to better finance original programming,” said Anthony DiClemente, a media analyst at Barclays Capital. “The main structural issue right now with broadcast is that the vast majority of revenues are from advertising.”
Profit margins for cable networks are also much better than broadcast networks’. Derek Baine, a senior analyst at SNL Kagan, said big cable networks earned profit margins of 40 to 60 percent, while a good year for a broadcast network is a 10 percent profit margin.
Illustrative of this is a comparison of NBC to ESPN, one of the most popular cable channels. Last year, revenue for the two networks was roughly equal. NBC, according to SNL Kagan, generated about $5.6 billion in advertising dollars; ESPN generated a total of about $6 billion in revenue — $1.6 billion from advertising and $4.4 billion in subscriber fees. But ESPN was vastly more profitable. Its cash flow was about $1.4 billion, while NBC’s was $304 million.”

What does this mean for CTV and Global? It means the shows they have depended on to survive, the ones they want even better access to, may soon cease to exist. How long can a dying industry continue to produce $3 million episodes that get smaller and smaller audiences? Not long. Global without House and NCIS is dead. CTV without the CSI’s and Grey’s Anatomy is likewise in big trouble.

So, instead of looking at ways to save the dinosaurs shouldn’t the huge brains at CTV, Global and the CRTC be planning for a very different future? A future where all TV is either by subscription or pay-per-view. A future that includes on-demand TV and television via the internet and cell phone. If these guys are so smart why can’t they see what’s happening before their eyes right now? The stupidity of the Aspers, Fecans and von Finckensteins is frightening to me. How about you?

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Liars Poker at the CRTC

After several months of interminable, fact free and boring ads, the CRTC has spent the last week and a few days trying to get Canada’s broadcasters and cable and satellite companies to come to some agreement on fee-for-carriage, in other words, allowing the broadcasters to get paid for what has always been a free service. As all Canadians know by now the public face of the battle is between the cable and satellite operators who claim they want to save us from the dreaded new “TV tax” and the country’s broadcasters who want to save local television.

Anyone who has paid even peripheral attention to the debate knows that both sides are, forgive the colloquialism, full of crap. The broadcasters have never shown any interest in local TV. The last time CTV cared was when it was a consortium of private owners like the Bassetts in Toronto and the Peters in B.C. who actually controlled the network. The shoe was on the other foot in those days. There was little interest in the network. Since Bell and the Globe Media bought out all the individual owners and centralized the running of the network local has been a bad word at CTV.

It’s even worse at Canwest/Global. Here, there has never been any interest in local TV. Before Izzy Asper got control, Global TV served all of Ontario from Toronto. There was never any coverage of Sudbury, Thunder Bay, Windsor, London etc. In Winnipeg the Asper station was a joke. When I was news director at Global and there were massive forest fires in Manitoba Izzy’s Winnipeg station refused to cover the fires. “Too expensive” they said. “We don’t have the manpower” they argued. We had to send a crew from Toronto.

In truth, and we all know this to be true, all CTV and Canwest/Global care about is the money. They have gone about making this abundantly clear in the past week. When Ivan Fecan, head of CTV, was asked if he would guarantee the fee-for-carriage money would go to local TV and local programming he said no. Canwest/Global said the same. So what was the point of all the advertising produced and aired by CTV and Global? Was it a false advertising? The only conclusion I can come to is yes, it was all a lie.

Further, to prove that money is the only motive, the networks level of greed showed no boundaries, they took their chutzpa to new levels demanding that on top of being paid for their free signals they want to expand simultaneous substitution. According to Michael Geist in The Globe and Mail:

“The broadcasters now wish to expand simultaneous substitution policy with program deletion…when a Canadian broadcaster purchases the rights to a U.S. program, they would have the right to air it whenever they choose within a seven day window. The hook is cable and satellite companies would be required to block the U.S. broadcast of the same program if it did not air simultaneously.
“The proposal, which would lead to millions of Canadians regularly encountering blank screens instead of expected programs, would perversely increase the attractiveness of U.S. programming…it would (also) send more Canadians away from broadcast television to the Internet…”

The broadcasters confirmed as well, they are not willing to invest in digital transmitters for all the local communities leaving residents in small cities like Kingston without any over the air signals, another slap at local TV. To add insult to injury the broadcasters are asking for an extra two years to make the switch to digital. In the U.S. that job was completed earlier this year. CTV and Global want us to wait another four years. You may wonder what difference that makes to you. Well, it means the new spectrum , 700 MHz, that was supposed to come available will not. That means Canada will lose billions of dollars in revenues from selling that spectrum and that new wireless and open internet innovation and competition will not be available to Canadian consumers.

In the face of all this, it should be a slam dunk for the cable and satellite operators. The broadcasters want everything and are willing to give back nothing.

Well that sounds like the real world. The CRTC has seldom, if ever, had close ties to the real world. The consumer is always at the bottom of the CRTC’s list of cares. The CRTC’s job, as they see it, is to protect Canadian TV. Not TV production as in new dramas and comedies, but TV distributors and stations. The reason: without a bunch of TV stations operating in Canada there is no need for the CRTC to oversee television. So they protect the millionaire owners. More important to the CRTC is cable. Every decision they make is to fortify cable. As long as most Canadians get their TV through cable the CRTC is powerful. You see, you cannot block over the air signals at the border, you cannot stop satellite feeds from entering Canadian air space, but you can control Canadian companies who distribute these signals over cable to millions of Canadian homes. Thus, over the years the CRTC has become the political arm of Rogers Cable. I have appeared before the CRTC five or six times and on each occasion at least half the commissioners were former Rogers employees. In many cases they went back to work at Rogers after their term was up at the CRTC. The connection is too obvious and has been going on for too long to call this a coincidence. CRTC decisions inevitably favour the cable companies first, the broadcasters second, the satellite companies third and I have to say it, the consumer never.

So where does this leave the entire debate? It’s impossible. The CRTC can’t hurt either side. It explains why Konrad von Finckenstein says he’s sick of the whole thing. He finds himself on the horns of a major dilemma: how to help the greedy broadcasters without harming the greedy cable companies or vice versa. To make it worse, signals from the government suggest they don’t want the consumer to pay. Tough luck Konny, you lose no matter what you decide. Here’s hoping you don’t take the rest of us with you.

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Humpty Dumpty News

An observer of Canada and especially the CBC would be forgiven if they thought all the drama in the country was taking place at CBC News and CBC News Network. Being Erica can’t compete and Dragon’s Den doesn’t come close to the reality TV nonsense swirling around Peter Mansbridge, Richard Stursberg et al at Canada’s national network.

A few weeks after the disastrous launch of the new National and the unwatchable programming on CBCNN, the drama continues. From the outside it looks like Stursberg and his happy band of naysayers are attempting to build a wall around the Corpse that will keep out all the negative reactions. So far they do not, at least publicly, admit that there are any problems with the new direction that CBC News has attempted to sell to a dwindling audience.

Unfortunately for the CBC they have accomplished only one goal: yes, they have united Canadians, created consensus. Everybody hates the new news. Forgive me if I exaggerate, I have seen two articles from people who mildly like the new direction, but I have yet to speak to a single person who has anything positive to say about CBC News as it appears today. I have had conversations with people of all ages from many different parts of Canada. Not one likes what he or she is seeing.

What’s worse, whenever two media people get together, or whenever a CBC News staffer meets a news viewer, the dreadfulness, is that a word, of the changes is still the main topic of conversation. Rather than going away, it is growing. The viewers are as pissed off at CBC management as the news staffs are. Really, the entire episode is a great embarrassment, or at least it should be.

The most damning result of the changes to CBC News is playing out in the ratings. CBC made the changes to combat poor news numbers. Most nights the CBC peaked at about 600,000 viewers. CTV and Global generally got over one million viewers for their national newscasts. Now the CBC is barely breaking the 400,000 viewer mark. That’s a drop of one third of the audience. If rumours are to be believed, the back half, where the documentaries once ran, is losing viewers at an even greater pace. Failure has been swift and clear cut. In the meantime numbers at CTV and Global are rising. The damage is actually worse than the last CBC disaster when they tried to move the news to nine p.m.

So what can the CBC do to deal with the self inflicted wounds before they become fatal? The first step, it would seem obvious, is to admit there have been big mistakes made. You cannot begin to make changes if you don’t admit change is necessary. Step back. Have a look at the programming. Remove the rose coloured glasses. Look at CBC News for what it has become, not what you predicted, attempted or wanted. News viewers, especially CBC News viewers, want depth, context, serious reporting. They want interviews and documentaries that engage and inform. They want the news content as it was before. As far as style is concerned, they are willing to accept change that is motivated by bringing better quality coverage. They don’t want standing for the sake of standing and moving graphics because a U.S. TV doctor says that’s what you need to be young and modern. If you can’t answer the question “Why is Peter standing?” then he shouldn’t be standing.

I repeat, all of this is predicated on the CBC bosses admitting they goofed…big time. The way the CBC works I can’t see that happening. Last time CBC goofed Ron Crocker and Tim Kotcheff were run out of the CBC. They took all the blame even though they were mainly there to implement what the entire braintrust had created. Sure they played their part in the changes but they were no more responsible than the rest, the ones who took over and changed the news back to 10 o’clock and the old format. This time that will be more difficult. Many of the old bosses, the ones who know what they are doing, have been shuffled off the news if not out of the CBC entirely. The new bosses come from radio, from current affairs. It is questionable as to whether they know what they are doing and further whether they even know how to put the news back together. There are no possible scapegoats that are not directly tied to Uber boss Richard Stursberg. If Stursberg were to fire Jennifer McGuire it would reflect directly on him personally and his poor judgment. I don’t know Stursberg, but I know people who do know him, and they tell me this is not going to happen. They tell me according to King Richard, he doesn’t make mistakes.

In the meantime, as viewers drift away and the credibility of the news service suffers, major cracks are starting to appear inside the newsroom. Insiders tell me the news team is finding it almost impossible to fill the hour. The news desk is begging all the units to send them stories, any length…even long docs of 20 minutes or more. Many of the best reporters are beginning to revolt. They want to produce better stories but feel the desk has no understanding of what that takes in time and energy. They also feel they are being made to look bad. Their reputations are suffering. I think they are right. The editors are saying the new young producers don’t understand how news works. They are generally unprepared and don’t understand the editing process. Fingers are being pointed in all directions. Everyone is looking for someone to blame and Richard Stursberg and Jennifer McGuire are the names I hear most often. We are talking about massive breakdown at all levels.

Humpty Dumpty has fallen down. Predictably, all King Richard’s horses and all his men so far cannot put Humpty together again.

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The Need for Speed

A little while ago, it was a few days after the” balloon boy” incident caught the attention of CNN and erupted into the leading story on every major news station and newscast in America, a friend of mine from Boston opined that since the all-news networks came into existence Americans seem to be less well informed. Year after year since CNN, Fox News, MSNBC, and CNBC have become major sources of news coverage the American people seem to know less and less. He asked the pertinent question: Is all-news television making America stupid?

From the Canadian side of the border it has always seemed that Americans are incredibly ignorant of the world around them. Perhaps that’s just the way super powers are. I’ve heard Czechs and Poles say the same sorts of thing about the Soviet Union and Russians.

More likely there is more than a little truth to this idea. What the all-news networks have created is a need for speed. Getting on the air first and running with a story is the be-all of CNN and Fox News. This has resulted in journalists not doing their primary jobs as journalists: verifying their sources and facts to be true and accurate. The excuse: who has the time anymore?

The biggest losers in all this rush to air are the viewers, listeners and readers of news. We are reaching a point where the consumer does not know who to trust. Heck the “balloon boy” was the lead on ABC, CBS and NBC. It wasn’t just that the story ran, it was that it ran without question. Looking at that strange silver flying object I know I wondered “where could a kid be in there?” I didn’t see a bulge. I didn’t see feet or arms trying to find a way out. It seemed highly implausible. Yet there were no serious questions on any newscast I viewed until after the incident ended and the boy was found in his own attic. Why? Why ruin a great story is only thing I can think of.

The “balloon boy” wasn’t the only story in recent weeks to draw questions about how U.S. news operations are doing their jobs. A much scarier incident for the public as well as all journalists took place on September 11th, the anniversary of the terrorist attacks on the World Trade Center and the Pentagon. CNN ran with the story that there was an impending terrorist attack in Washington, DC.

Here’s how Jamie McIntyre in BS Detector, IMHO, Media Watch, saw the incident:

What fooled CNN into “breaking news” mode was realistic-sounding radio
transmissions from the Coast Guard as it conducted a routine drill to
practice procedures to be used in the event a private boat attempted
to breach the security zone it set up on the river.
There’s an irony here. CNN is one of the few networks that still
routinely monitors police radios to get a jump on news. It’s a bit
of a lost art. As an old radio reporter I listened to scanners all
the time. And they produced plenty of scoops for me over the years,
but as any good police reporter knows, you never, NEVER, report
information heard over a scanner without getting verification. Never.
It’s basic journalism 101. And it would seem that CNN, believing it
would get a jump on a potential major story, violated this inviolate
rule. (When I was at CNN I got plenty of tips from our desk that came
from overheard police or fire department transmissions, but that’s
what they were – “tips,” to be checked out. Not “initial reports” to
be put on the air only to be corrected later.)
Now CNN is certainly not the first major news organization that has
allowed its competitive instincts to overwhelm its better judgment.
Nor will it be the last. But how this story played out illustrates a
number of ways the “new media” environment has lowered standards that
are already hovering dangerously close to the ground.

There have been dozens of similar cases. Recently a media conference by a man claiming to be from the U.S. Chamber of Commerce resulted in Reuters, the New York Times and the Washington Post rushing to publish his astounding pro-environment statement. Fox Business News was actually on air reporting on his remarks when the real Chamber of Commerce folks arrived to put an end to the hoax. It turned out the faker was a man who routinely pulls anti-corporate pranks. None of the journalists there bothered to question his credentials.

Yes we have the tools to report almost instantaneously from anywhere on the globe at any time. But if we don’t use those tools properly, what’s the point? Why has speed become more important than accuracy? I suppose the answer is self evident, competition and ratings. When there’s an election to cover, or there’s an economic crisis, people will tune in to all-news television thus driving the ratings up. On a ho-hum day of normal news there is no reason to switch from ESPN or Oprah. So getting the big story and hyping it is a simple strategy to get viewers to tune in. If you are wrong, so what? So long as you drive the ratings up. Here’s more of what Jamie McIntyre had to say about the Coast Guard incident on September 11th:

Here are some factors present in today’s media universe that
contributed to, and culminated in, CNN’s inexcusable lapse:
Too Good to Check?
The first and biggest mistake CNN made was rushing to air without
waiting to get confirmation from the Coast Guard. This seems so
basic that it’s mindboggling how it could happen. But here’s why.
CNN absolutely believed it had a big story on its hands, and it had
heard it with its own ears. Everything fed that perception. The
Coast Guard was saying nothing. If it were only a drill, usually they
would know that right away. But if something were going on, only then
would authorities be reluctant to give a statement until they could
gather the facts. I’m sure if the people listening to the police
radio had heard any hint that indicated the event might be an
exercise, it would have prompted CNN to employ more caution. But
everyone in the newsroom listened as the radio crackled with the
chilling transmission, “We have expended 10 rounds.” Adrenaline
flowed. The President was nearby. It was Sept 11th. Twenty minutes
had passed and the Coast Guard seemed to be stonewalling, insisting it
still didn’t know what was going on. Finally CNN could contain itself
no longer. Convinced it was sitting on a major story, the folks in
charge rolled the dice and went with it, and figured they would get
confirmation later.
First with the Scoop, First with the Correction: Win/Win!
CNN knew it didn’t have the full story. But in the internet age, no
one waits for the full story anymore. Not even newspapers, which
publish quick writes on their web pages to stay competitive long
before a more thoughtful version is published in the paper. In fact
the 24/7 information marketplace seems to reward rushing to air or the
web with initial, incomplete, and often inaccurate reports. This is
not seen as irresponsibly spreading information before it’s confirmed,
nailed down, or fleshed out, rather it’s seen as getting on the record
with the news that something is happening. Then, as the story is
calibrated, corrected, downscaled, and sometimes dropped by the end of
the day, each revision is treated as a separate scoop. So instead of
scoring just one “first” with a single accurate, complete report, the
news organization racks up a series of “firsts” intended to keep the
viewers/readers coming back for more. First with the bad report,
first with the better report, and finally first with real report.
It’s a win/win/win!

Another insidious aspect of the “rush to be wrong” trend is the
speculation that fills the information vacuum until facts can be
unearthed. In this respect, all-news television can reinforce the
worst tendencies of its reporters. It is fed by the desire of
producers to keep the coverage going on a breaking story even when
they have run out of fresh information. They call their
correspondents and contributors with this question, “Can you play?”
Meaning can you come on the air and say something about what’s going
on. The standard here is, can you “say something,” not “do you have
something worthwhile to say?” This results in a lot of people
babbling on the air who should be out checking the facts, instead of
offering facile and fatuous observations. CNN did this by calling on
its experts and correspondents to weigh in even when they obviously
knew nothing about what was going on. As a friend of mine, a veteran
reporter, commented to me, “What I did not hear anyone say was,
‘according to my sources at the FBI, or according my sources at the
Pentagon…’ “.

As the ratings stand now, CNN has plummeted to 4th place among the all-news networks. They have, for the most part, taken the high road when it comes to opinion and politics. That worked for them during the primaries and election campaign, but now, without the big story, they can’t compete with the bombast and bull over at Fox. It seems, in America you can’t draw an audience with even handedness when there is no big story. The big lies about health care and President Obama’s roots lend themselves to the windbags at Fox. The result is that CNN has had to sensationalize to be noticed.

Are we seeing this in Canada? So far, only to the extent that we have so few resources outside the country that we are dependent on the news people at CNN, ABC, NBC, CBS and Reuters, the very people who are committing the lapses. I am also worried about the new CBC National and CBC’s all-news television channel. They too need ratings. They are resorting to far too much to the talking reporter as opposed to the reporting reporter. What I mean is that they are asking reporters to go on air and tell us what they are hearing rather than what they know. It is a dangerous way of doing business. And in Canada it is not only done for ratings purposes, it is also done to fill time. How can you fill a newscast with relevant news if the report is not yet completed? Simple, have the reporter come on air and spout innuendo for a minute. The viewer gets the impression of news even when there is none.

Is there an answer to this sorry state of affairs in journalism? I suspect we are in the middle of a revolution in news gathering business. How the internet, TV, radio and print settle out in the next few years will determine where journalism will land. One can only hope that journalism goes back into in the hands of the journalism professionals, not the bloggers, sensationalists, accountants, ad salespeople, TV doctors and bureaucrats who are all playing too large a role today.

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Heads in the Sand at CBC

There is only one thing harder to watch than the new National News on CBC, it is the complete and utter baloney emanating from the people who run the newscast.

In the face of an avalanche of negativity, some observers are pegging the overwhelmingly negative response to the changes at over 99% based on the CBC’s own web site and blog spots, the folks who run CBC and CBC News are making complete asses of themselves with their responses to what I would consider a crisis or even a catastrophe.

While it is true that there have been a lot of complaints about Peter Mansbridge’s uncomfortable standing posture, and many, many complaints about the highly overdone “mal de mer” inducing moving graphics behind every person who ventures on to the set, and of course darts tossed at the strange unmotivated whooshing sounds that emanate from nowhere; the real complaint, and almost every correspondent to CBC makes it clear, is the lack of serious journalism. The shallowness of the stories is paramount. The lack of any depth or context is what is really putting people off. And this is what the folks who run our tax payer financed national news seem unable to grasp.

The only way to prove this point is to let Peter Mansbridge, Jonathan Whitten and Richard Stursberg speak for themselves. Here’s what they had to say about last week’s disaster at the Ceeb:

First Richard Stursberg:

As we close out the first week of the new CBC News, let’s take a moment to consider the reaction our changes have wrought throughout the country. Judging from media coverage and associated commentary, you would be forgiven for thinking the nation has been seized by an obsession with Peter Mansbridge’s chair (more precisely, its absence). Peter himself called it first and correctly in a pre-launch interview for a Toronto Star TV guide cover story. When we change anything about our newscasts, we hear about it. Don’t be disheartened. The sets and graphics look fantastic; as good as any in the world. We’re quickly moving into a rhythm and pace with the new style and new programs. And– this is the most important part– our commitment to telling the relevant news stories of the day, as we’ve always done, remains undiminished, even as the tools change, as they always do. Don’t be worried about the cheap shots from some at our competitor news organizations. Remember it’s in their interest that we should fail. In a fast-changing game, we’re redefining how news is presented to Canadians. And big changes make big splashes. Don’t worry about the noise, which is already subsiding. Congratulations for the stories you broke this week and on the context and depth you provided.

Richard Stursberg
Executive Vice-President
English Services

Now Peter Mansbridge:

It’s always interesting and important to monitor reaction to change. So far, there is no doubt there has been lots of reaction to the changes we have instituted at The National this week. As expected, the comments cover the spectrum and we’re getting lots of good ideas from our viewers on what they like and what they’re not so sure of at this point.
If there’s one area that seems common to both points of view, it’s reaction to the fact that I do parts of the program standing. Some seem to suggest that this is a radical departure from the past. Well, sure, “sitting at the anchor desk” is a traditional mainstay of many newscasts, but standing is hardly anything new. I have been anchoring The National since 1988, and I’ve done the broadcast “standing”, on average, at least twenty times a year, and no one has said anything. Guess they didn’t notice.
Last year on election night, a lengthy eight-hour broadcast, I did the whole program standing, and it was extremely popular – if the ratings game is anything to go by. It also gave the program a flexibility and mobility that we feel is needed in this day and age, especially for our broadcasts. Some people seem to forget that The National is unlike any other network newscast in Canada. It’s a one-hour broadcast, not half an hour, and it deals with much more than news stories. We have feature interviews, panel discussions and short documentary and background features. And we do it all in prime time, unlike the other Canadian networks. Global’s main newscast airs in the late afternoon. CTV goes to air in post-prime-time late night. So the on-air competition for viewer’s eyeballs to The National at 10 p.m. isn’t news – it’s drama and entertainment, the CSI’s of this world. So for us, flexibility is key in showcasing what is still, and always will be, our most important product – solid journalism..
On the interview front, I will continue to do lots of sit-down interviews, both on The National and on Mansbridge One on One on the weekend. However, there will be times when in-studio interviews are done standing, because we think they bring a whole new energy to the moment. And again it’s not new. Just a few months ago, I had a 10-minute session with Prime Minister Harper in Ottawa. We were standing in the Parliamentary Library at the time. A few years ago, I did the same with
former Israeli Prime Minister Shimon Peres. Much was made by some of my interview with General Rick Hillier on Monday night because we had that conversation “standing”. Perhaps those who thought that was something really different didn’t watch it very closely, because I even included, during that encounter, a taped segment of an interview the two of us had had five years ago in Afghanistan. And guess what – we were standing in that one, too.
Now the question has also come along about At Issue – Canada’s most-watched political panel. “Is Mansbridge going to make them all stand too?” The answer on that one is “no”. That conversation, a weekly appointment-television moment for hundreds of thousands of Canadians every week, is different and calls for a different look. This Thursday, Allan, Andrew and Chantal will all be in studio at a fancy new desk with fancy new chairs. Hope you join in the fun and watch.

Finally Jonathan Whitten, one of the bosses at CBC News:

Hi all…

Thanks for all your hard work in putting (most!) of week one behind us…

For those on the front lines…it’s been exhausting and exhilarating at the same time. The task of turning the ship around overnight was a huge one,
and a smooth and clean start in week one is testament to the passion and dedication of everyone who works here.

What viewers saw this week was a modern set and a modern look, a faster pace, and new faces and personalities. What they also saw were the same standards of journalism, the same emphasis on news, context, and original and enterprise reporting. Though the on-air team surrounding him is now stronger than ever, they also saw Peter still doing what he does best, guiding viewers through the same range of stories and storytelling, and talking to news makers and opinion leaders on topics that matter to Canadians.

Equally important, our new website and “early” versions of the National generated a huge amount of interest, and marked our first big step toward serving a brand new audience at brand new times and in brand new ways.

And while we continue to try to understand how and why a chunk of our audience disappeared overnight with the new audience panel under the PPM system, it was heartening to see that the first four nights of the new look and format was our strongest four-day streak under the new system.

While much of the din this week has been focused on the weighty issues of color and posture, as a participant in at least three make overs of the National look I can tell you that the tone and weight of the response from those who have e-mailed us this time around, compared to those who sent us letters, phoned, and faxed us in earlier times, is pretty much the same. What I think is different this time is a much more positive response anecdotally from people outside the CBC who find the new look refreshing and modern.

Having said that, we are already making adjustments based on the feedback we’ve been getting, and we’ll continue to do that in the weeks and months ahead.

Once things settle down on the production side, we’ll also be looking closely at how we get to air, and who does what, and I’m sure we’ll be making changes there as well to try as we try to balance the workload.

It’s also important that we continue to get your feedback on the changes and your own workload.

Thanks again for everything this week….

Jon

How can two people who call themselves journalists and an experienced administrator get it so wrong? Are they kidding themselves and trying to prop up a beleaguered staff? I hope so, because they all miss or ignore the main criticism. The news has less depth, less insight, less context and most important less interest to news viewers, the people who may actually want to watch CBC News.

Just to give you a sense of what people are writing in answer to the above comments I’ve chosen just a few out of hundreds, maybe thousands of viewer complaints:
at 9:16 PM ETttkillian wrote (quoting Richard Stursberg):

First Mr Stursberg, I haven’t read a single daily since the re-launch and crash. My opinions, which were posted within minutes of the end of Monday’s show are my own and not derived from any print media.

Second sir, you are a public broadcaster, you do not HAVE competition! You are not spending the money of a corporation or wealthy family, you are spending MY money! And believe me sir, if CBC patrons wish to see you removed, do not think for one moment it is not within our power to do so. Sir, take your ego, and stuff it! You are a civil servant on the tax payers payroll, you do not dictate to us, you accept direction from us.

Finally, standing, sitting or lying in the nude…the new format with it’s wizkid graphics, newsreel musical overlays, and greatly reduced news time quite simply sucks! And if you do not heed the comments from your viewers, they, and your job, will be gone (the latter should have already taken place 10 minutes after Monday’s broadcast)

To quote a fictitious journalist (who is a far sight more real than anything CBC is now offering) “We’re mad as hell, and we’re not gonna take it anymore.”

We’re not your competition sir, we are your boss!

truebluetoronto wrote:Posted 2009/10/31
at 3:02 PM ETPeter,
I watched all of the CBC “new national” on Monday and Tuesday. I watched parts of the “new national” on Wednesday and Thursday, between innings of the World Series. I don’t think I will be watching it again. Next week I will be watching CTV News, and if at the end of next week I feel better informed than I am after this week’s shambles then I won’t be back.

The National should be re-named “The Trivial” as it lacks substance and in-depth reporting; looks like it has been produced by teenagers and computer whizz-kids.

I have lived in this country for 30 years, and initially tried all the local TV news stations until I found my new home at CBC. It was until recently the nearest thing to the BBC on this side of the pond.

CBC now looks like the trailers at the movies, fast, swooshing noises and whizzy graphics, all teasing, but no substance. CBC now looks like so many American cable shows, all huff and puff, no thoughtful analysis

dudemeister wrote:Posted 2009/10/30
at 10:30 AM ETPlease rewrite this blog with the Title:

About the “lack of news”

This is the issue that is really matters and what people are mostly responding to here. Stupid flashy graphics, standing up, sitting down or delivering the news in Kundalini yoga poses – who cares. Everyone/all/tout le monde here hates this change for the actual content or lack thereof more than anything – Where is the international news – the thing on shoes was pathetic if that is what passes for international news stories now, where is the “depth”. Local news sucks now too – there isn’t anythign happening except people lining up for vaccinations apparently.

The reason it upsets people more than if it was another TV channel – this is our national broadcaster, and it appears to have been sabotaged.

-PeBo- wrote:Posted 2009/10/29
at 4:21 PM ETPeter, it’s unfair to point out special event news broadcasts where you have stood throughout the broadcast. If the news is covering an election or special event, then a change of format is expected.

You would look ridiculous (or pompous) sitting during a Town Hall.

I have also read through most of the coments that have been posted, and to say that they cover the entire spectrum, is simply playing with the facts. The comments have been overwhelmingly negative. The fact that we pay your salaries seem lost on all of you. Our opinions only matter when we are in agreement with your direction. If this is how you judge polls, then so much for trusting your analysis in future…not that it matters, I won’t be watching.

The music overlays, the standing, the speaking to co-workers and guest at your “take-out” counter, the crass sound effects and animations…it all comes together to make the National look cheap and derivative.

Sorry Peter, I have always trusted you and your broadcast, but tonight, I’ll tune in for Chantal, Alan and Andrew, but will not turn to to CBC until that time. I will simply get my news from Maclean’s and selected websites. The last vestige of respectable television news broadcasting is gone.

And quite simply, you should feel ashamed for defending the changes. (Then again, I remember when the National had enough respect for the news that it was shown without commercial interruption for the first half hour, so what could I possibly expect!)

Goodbye CBC news. You’ve been a trusted friend my entire adult life, but I demand more from my friends than what you have chosen to offer.

umarek wrote:Posted 2009/10/28
at 2:24 PM ETMr. Mansbridge,

If there was one thing I was afraid of, it was a comment coming from the management, saying that new format often provokes reactions. I am surprised that it comes from you.

Judging by the comments you have been getting, where the lack of “the chair” is a minor and ridiculous detail, in comparison to the format in which the news now is being presented, it is a disaster.

Your assertion that the comments “cover the spectrum” when in fact there is hardly anyone who has anything positive to say about, what is commonly perceived as FOX style news, tells us that your comment is a dishonest public relations press release.

I agree with you on one point however. Yes, you are getting a lot of good ideas, and for the most part they are telling you to scrap this horrible experiment. It is not only an insult on our eyeballs, but also on our intelligence.

Marek Urban
Ottawa

I guess you get the idea by now. Forget the lack of chairs, deal with the lack of news.

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News Lite

I hope all of you are not too tired to read another review of the new The National. I thought it would be fair to wait a few days and see a few shows before wading into the fray. Unfortunately there has been no real argument so far. I have found only one positive review or comment about what the CBC hype machine calls “the new direction,” that comes from my old pal and normally an astute viewer of all that’s new and interesting in television, Denis McGrath. For a counterpoint to what I’m about to say please look at his blog ‘Dead Things on Sticks.’

As for the rest of what I’m hearing, here’s a few quotes:

“This is news lite. I can’t believe Peter Mansbridge is allowing this to happen.” That from a prominent CBC News team member.

“Well, I watched last night and, I have to tell you, I’m feeling abandoned. It’s all so damned fast and flashy. Even the new radio news … and I like Peter whatshisname as a reporter … I feel like he’s yelling at me. And what’s with the casual jargon of the anchors and reporters. What has happened to the concept of ‘excellence’? I am in mourning. Help!” This comes from a TV pro who I have always admired for her understanding of what works on television.

“Okay, maybe you can’t review a restaurant after ONE night, but how many times do you have to get food poisoning to stay away from it?
Just one example that epitomizes everything from both nights: “Research shows 82% of Canadians use the internet…” What research will we get tomorrow — the percentage of Canadians who use the toilet?! Or perhaps info about a machine that does NOT cure cancer? Oh, wait, we already got THAT today!
Just incredible…” This came in from one of the most talented producers at the Corp.

I have heard from about 15 current and former CBC News people and they all agree, they don’t like the new The National. Well, you say, these are insiders or people with ties to the way it used to be. You are right. But I also participated in a live blog with J-Source while “the new direction” was premiering. The polling they were doing showed over 70% of viewers hated or disliked the show.

The worst news of all for the CBC News honchos is the rumor going around the Corp itself. I could confirm the rumor but not the facts. Nobody is talking. The rumor is that over 700 comments came in to CBC after night one and all but 30 were negative.
It looks like the negative messages may be beginning to seep into the mindset of the news producers. By night three there were already a few minor changes. Peter was still standing, as was everyone else, but he never came out from behind the: what can I call it? It’s not a desk. It’s kind of a grounded UFO. He wasn’t left to wander and find a spot in studio. Second, there was an actual opening that promoted the stories coming up on the show. If you remember on night one, they went right into the first story cold. Also there was no weather hit halfway through the show. Pity, I’m dying to know about the new typhoon heading for Manila.

On the other hand, lots of the bad persists. There are still way too many promos. So many, in fact, that it feels like they are replacing the 20 minute documentaries that once appeared in this time slot. Worse still, most of the promos are for stories that the newscast does not deliver on, some of the promoted material even shows up as 20 second voice over, no story at all.

Oh, and did I mention Peter is still standing. Can we make our host look less comfortable on set? How about asking all his guests and fellow reporters to be even less comfortable than Peter? The best remark I saw was after the interview on night one with General Rick Hillier. Peter announced the general would be on The Hour after the news. Someone wrote in: “I bet George gives him a seat. And The Hour is the youthful, hip show.”

Wendy Mesley is one of my favorite people at CBC. She’s an excellent reporter and a tough interviewer. What the heck is she doing on this show? Her stories look and feel like unfinished Marketplace items where they forgot to tell us the point of the research. Her stuff is inane at best. What a waste.

The biggest problem of all though the lack of depth in most of the items. There were 10 voice-over items on show three. None got more than 30 seconds and none were given context or explanation. Is P.M. Harper’s first trip to China and India not more important than that? How about Hilary Clinton in Pakistan, especially on the day of more car bombings?

True, on night three they mined all they could on swine flu. It was over half the content of the program. Unfortunately it included a piece by Ian Hanomansing that was just a longer version and completely repetitious of what was in the opening story. It also featured two interviews with a doctor about what to do if you get swine flu. A, she was not the best at articulating her points and b, this was not really news. On a real newscast this could have been done graphically and succinctly in 45 seconds. It would have been easier to understand too. This segment is what we used to call a “sand bar” in my old newsroom. The show comes to a complete stop when it hits it.
From where I sit there was only one high quality worthwhile story on the entire newscast. It was Ioanna Roumeliotis’ opening item on swine flu. As for all the rest, I can pick them apart easily for their lack of depth, context, focus and journalism. The worst was probably Susan Ormiston wasting my time and yours asking Afghan President Karzai’s brother in a telephone interview if he took CIA money and whether he was a drug runner. “No” he said. Okay, thanks for talking to us.

What is the CBC trying to do here? They say they want a younger audience. Fine. But is talking down to them the best way to get young viewers? Being shallow? Look, if a youthful viewer is the type of person who will choose CBC News over CSI Miami or the Maple Leafs playing Dallas he or she is obviously not shallow. He or she want real content as much as the 60 year-old viewer. Pandering to youth is patronizing and bound to push serious people of all ages away.

The new The National is seriously flawed at best and leaning towards awful. The line-ups have made no sense. There is no natural flow to the stories. The stories when they appear are poorly reported and shallow. There is too much going on to distract and too little to hold the viewers’ attention. Thin gruel indeed.

I have a friend at CBC who predicted the whole thing would fall apart in six months and the real national news would find its way back on air. There will be no announcements, no full page ads in the newspapers. Sure we’ll be stuck with the pastel pink and blue set and even the big round thing that replaced the news desk, but the important things, the real stories, the journalism, the depth will return. Let’s all hope there will be enough viewers left to welcome it back.

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Failing Journalism: Who’s to Blame?

I got another note from a CBC staffer today questioning the journalism at the Corp. Once again it points out the lack of journalistic rigor at what is supposed to be our most trusted news operation. Does this sort of thing happen all over? Yes. Way too often. But CBC News is always tooting their horn about their journalistic bona fides. They are the ones you can trust, according to them, when a big story happens. What about the small stories?

Here’s the note that came in to me:

So I came in to work today and found that the late-night and overnight journalists had written a story about the death of a 13-year-old boy – suspected to be H1N1. Turns out there’s absolutely no facts to back up the claim – just some misguided/misunderstood comments from one distraught parent. You’d think that at least one fact in the following story might be checked by a CBC journalist before rushing to publish – but I guess that is no longer a concern. I read an article recently about CNN’s over-the-top coverage of a Sept. 11 Coast Guard training exercise in Washington. The writer said online news organizations like getting the ‘double hit’ – once for the original story – once for the correction.

This is just so sad that I can’t believe I work for an organization that is this bad.

See for yourself.

(The original headline said a minor hockey player had died … what the hell does playing hockey have to do with his death? Would we have written a headline saying ‘boy scout dies’ or ‘choir member dies’?)
A 13-year-old Toronto-area minor league hockey player has reportedly died from the H1N1 virus.
Evan Frustaglio died Monday evening at St. Joseph’s Hospital in Toronto. Evan’s family reportedly told CityNews that their son had died after falling ill with the H1N1 virus.
(Since when is CiytNews a credible source for information?)

Evan’s father, Paul Frustaglio, told the Toronto Sun the coroner’s office has confirmed his son died of the virus.

(Now we quote the Sun?)
(But the coroner’s office on Tuesday morning said it had never confirmed any such thing. The autopsy won’t be performed until sometime later on Tuesday – even then it will be almost impossible to blame a death specifically on H1N1 flu)
Evan visited a walk-in clinic Sunday after complaining of feeling ill with a sore neck and throat over the weekend, Frustraglio told the Sun.
(So it appears CBC does stories based entirely on reporting by other organizations – without ever talking to any of the principals? What shoddy and inept reporting. Is this the “new” CBC?)
The boy was sent home with a fever that appeared to be going down but was vomiting, his father said. Evan then collapsed after taking a bath on Monday and was taken to hospital, he said.

Medical officials have not yet confirmed a link between swine flu and Frustaglio’s death. It is also unclear if the boy had any other underlying medical conditions. (Hang on – didn’t the previous paragraph “confirm” that the child had died of the virus?)
‘You will be missed’ A Facebook memorial page has been set up for Evan and had more than 280 members by Tuesday morning.
Posters on the memorial page remembered Evan as a well-liked student and a skilled hockey player. “R.I.P. Evan. I’m so sorry that this happened, you will be be missed so much that it cant be expressed in words. You were a great kid,” wrote Masha Petrasinovic on the memorial page.
Evan was a right-winger with the Greater Toronto Hockey League’s Mississauga North Stars minor bantam AA team and played at a tournament in London over the weekend. The Minor Hockey Alliance of Ontario has sent an email to parents of players from the tournament confirming the death of a 13-year-old who had been at the games on the weekend. The youth died after suffering from a high fever and bouts of unconsciousness, the email said.

Two players from the youth’s team are also being quarantined after showing swine flu-like symptoms, the email said, recommending that anyone from the tournament with similar symptoms see a doctor. North Star coach Al Reisman told the Sun that teammates are devastated by the news. Counseling is being offered to the team and some ice time has been canceled. (Really – they cancelled ice time! It must truly be devastating!)
Precautions in place.
Kim Sutherland, whose son played at the tournament on the weekend, said the death has left some hockey parents on edge.
“There is interaction at all levels of the hockey game and play out of the same complex at various times so … there is potential there for all sorts of exchanges of things,” Sutherland said. Sutherland said swine flu concerns won’t affect her family’s involvement in hockey. “This can happen anywhere. It’s among us now and we’re just going to have to deal with it — can’t bubble wrap them,” she said.
John Gardner, president of the Greater Toronto Hockey League, told the Toronto Star precautions are already in place to combat the potential spread of the virus. “We don’t want people to over-react,” Gardner told the Star. “We will be acting responsibly and re-emphasizing all the safety measures. (Now CBC pulls quotes from the Toronto Star! Aren’t we the largest journalism organization in the country? Can’t we obtain one fact on our own?)
Vaccine available
Swine flu claimed 29 lives in Ontario, including several people in the Greater Toronto Area, during the first wave of the pandemic this spring. A Cornwall-area pre-teen girl believed to have had the H1N1 virus but no pre-existing medical condition also died in an Ottawa hospital on the weekend. The Eastern Ontario Board of Health said following the girl’s death that it is putting school-age children on its priority list for the H1N1 vaccine, which became available across most of Canada on Monday. Priority groups include individuals under the age of 65 who have chronic medical conditions, as well as pregnant women, children under the age of five and people living in First Nations or remote and isolated communities and health-care workers.

(Let’s see the CBC squirm out of this one.)

 

Okay, I’m sure most readers are going to blame the journalist. Fair enough, he or she did basically rip the story from other news sources and did not check the facts. But let’s look at what news organizations like CBC are doing. Once upon a time a reporter was responsible for one story per day on one platform. Today a reporter could be asked to do a report for CBCNN in the morning, local news at 5:30 and another story for The National. In some cases a French story and a piece for CBC Online could be part of the reporter’s day. Who has the time to do research?

 

It has been my experience that today’s young reporters are actually better prepared than the journalists I came into the business with 30 years ago. They are better educated and they know more about journalistic ethics and practices. But there are several things working against them. The most obvious is time. A TV reporter in the early 70’s shot on film. He or she would have to be back early to process the footage. That gave the reporter time to check the facts and think about the story. Now you can send a crew out at 5:00 and expect them to be on air at 6:00. The technology makes that possible. All that’s missing is time to think, edit and correct. Thus more mistakes get to air.

 

A second problem is the new youth movement on television. It was very tough to get to the national level, especially at CBC. Long apprenticeships in Regina, Sudbury and St. John’s were the norm. Getting to local news in Toronto or Vancouver was a coup. If you did a great job you could do the odd weekend or summer story for The National. Eventually, if you were terrific you got a job at The National. Today that entire process has been streamlined to get younger people on air. Experienced journalists have been shuffled off while they are still active. Why? because of the misguided idea that you can’t attract a youthful audience with 55 year-old reporters. Or is it to save money because most experienced reporters are at the top of the pay scale? Either way, people who are not quite ready for prime time are plying their trade at the highest level.

 

Then there’s the ludicrous workload I referred to earlier. You can’t ask a person to do a thoughtful, thorough job if you don’t give them the time and space to do it.

 

My fear is that most news bosses, especially at CBC, have never worked in the field for television. They have never reported for television. They have no idea what is possible and what isn’t. In the meantime, when there is a screw up it isn’t their fault. They didn’t write, produce, shoot, edit, or report the story. Take a step back. Who should be blamed for the failures of journalism today? The answer is everyone who has allowed the system to come to this.

 

By the way, for those who expected a comment on the CBC’s new launch, you will have to wait. I won’t review a show in its first week. It just isn’t fair. I’ll give them time to work out the bugs…I will say however, that I have yet to speak to anyone who liked the direction the show is going in. I appeared on a live blog at J-Source while the premiere was on and a full 70 percent of polled respondents did not like what they saw.

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Pointing Fingers

Last week I received an anonymous email purportedly from CBC News staff that was sent to CBC President Hubert Lacroix. It took a few days to determine that this letter in fact came from inside the CBC and further that it was truly meant to go to Mr. Lacroix. I don’t know if he actually received the letter but I do know it really did come from CBC News staffers.

It is a terrible indictment of where CBC News is at today. Low morale, poor leadership, and a general malaise have overtaken the place. Perhaps this is part of the reason it has taken so long to launch the new CBC National News.

Here’s the letter:

Dear Mr. President,

A concerned group of staff are writing to inform you that CBC English Radio and Television are in a state of crisis and desperately require intervention.

Our current managerial structure seems to have been inspired by the mythical hydra whose many heads frequently consumed one another. Former executive vice president Harold Redekopp’s notorious “pylons” have now been replaced by “the Stursberg Labyrinth,” where daily management decisions have to be run up multiple reporting lines. While it was certainly a challenge to work efficiently and effectively in the previous management structure, the current system is an unmitigated disaster where everyone is forced to serve not two but ten masters.

Mr. Stursberg’s leadership choices have also strongly impacted daily News operations. When John Crookshank, the best thing to happen to CBC News in a decade, suddenly resigned a scant few months into his tenure, Jennifer McGuire was made head of News despite the availability of candidates with superior news-gathering credentials. That decision continues to have repercussions.

In a similar vein, Jill Troyer was made Director of Regional Programming, where she has utterly failed to gain the trust or confidence of those she was intended to represent. Ms Troyer is directly implicated in the sudden departure of Mike Linder from the CBC this week. We understand that Mr. Linder was an award winning journalist in his own right. He was, by all accounts, one of the most creative, charismatic, effective and popular managers in the entire English service. The Edmonton News show he re-built from the ground up is now universally regarded as one of the best in the country. While the specific reason for Mr. Linder’s departure is not known, we’ve learned that CBC Edmonton staff were so outraged they nearly rioted when the announcement was made, and would likely have “stormed the Bastille” if their jobs were not at risk. With his outstanding journalistic and managerial track-record, Mr. Linder will no doubt be scooped by the competition and CBC News will be exponentially poorer for his loss.

Even more disturbing than the above is the fact that Mr. Stursberg was overheard by CBC employees making highly disparaging remarks about you and your attempt to build strong, collaborative bonds between CBC management and the unions. We would like to state for the record that we greatly admire you collaborative management style, in particular, your willingness to listen openly and fairly to concerns staff have raised. Genuine honour and integrity are not qualities commonly associated with CBC’s senior management and your unique approach is deeply appreciated. We think it is very unfortunate that some who claim to represent you do not also share your ethical code.

Sadly, these are ugly times and we recognize that were the authors of this letter ever to be identified, our careers, incomes and pensions would all be jeopardized. As such, we regret to inform you that this email account will be deactivated as soon as this letter has been sent.

Mr. President, morale at every conceivable level of CBC English Services is at an all time low. As such, it has become necessary to publicly declare that “Rome is officially burning.” What is desperately needed now are more fire fighters and less fiddlers throughout CBC’s management system.

Yours in dismay,
Concerned CBC staff

Okay, it’s not the best written letter and it does get a bit childish when it points a finger at Mr. Stursberg’s alleged disagreement with the President’s direction. But the letter is a symptom of a very diseased operation.

A lack of money because of budget cuts, the remaining fallout from the lockout a few years back, the changes in leadership and the quality of the new people in charge, the project to renew the news and the subsequent changes, all these things have been piled on a beleaguered news staff. Any one of these things could hurt an organization, together they are deadly.

Where is CBC News at today? The latest fallout starts with the new direction of the news that practically bans all news documentaries. This was the one thing CBC News did that differentiated it from CTV and Global. On many nights it was the most interesting part of what has become a pedestrian newscast. From where I sit, it is a huge mistake.

Then came the reassignment of the staff that produced the documentaries. Some very talented people are cooling their heels in places they do not fit or would rather not be. Some have been pushed out of the Corp completely. Most of the people I speak to at CBC News claim they still do not know what is expected of them. The new National is supposed to start next week! Worse, when they speak to their bosses they are told they too do not know what is expected. Mixed signals abound. How long can a story be? Where will it run? Who do we pitch to? Staffers with 20 and 30 years experience don’t know where to turn.

At the same time some of CBC’s best on air talent has been banished to radio, Newsworld and retirement. The CBC News was weak on air before the changes, now they are close to laughable.

Finally, from what I have seen of the “new” direction so far, because in reality the news has already changed, only the new set, opening and music are still to be introduced, the content that has replaced the documentaries feels like filler. Non stories are being padded up to 3 or 4 minutes to fill the last 20 minutes of the program. In one such item I saw a group of kids, all of whom looked under 20, interviewed on the street and asked about what they will do to prepare for swine flu. Interestingly the script talked about those who remember the 1976 swine flu outbreak. These people were not even born in 1976. This is poor judgment, bad supervision and inexcusable journalism at the highest level of broadcast news in Canada.

The National, like any newscast succeeds or fails based on the people who do the work, their morale, their talent and their understanding of their jobs.  It is a given that morale is as low as it has ever been at CBC News, and that’s saying a lot. It looks from the outside like there is little understanding of the expectations of management. And finally, the talent level both on air and in management seems to be highly suspect.

Is it any wonder that The National’s ratings are less than half the audience at CTV National News?

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Dropping the Ball

A few years ago I was a guest on a Hamilton radio station discussing the proposition that sports journalism on television is an oxymoron. Brian Williams, who was still with CBC Sports at the time, was my opposite number on the debate. He took great umbrage at the proposition. His proof being his own excellent work on several Olympic games including the coverage of the Ben Johnson scandal and Ross Regabliatti’s near disqualification for having traces of marijuana in his blood among others.

Concerning himself, he was right. Brian Williams has made a long career of trying to actually practice sports journalism on TV. His recent Olympic and CFL mini-docs for CTV and TSN are no exception. Brian has proved to be a fine story teller and a prime example of how it should be done. But Brian could not name another television reporter who was doing the same. CBC did eventually produce an excellent weekly sports journalism show but today that’s long gone. Bruce Dowbiggin won a well deserved Gemini Award for his work on the Alan Eagleson scandal, but CBC sports refused to run his work so it ran on CBC News. Bruce is no longer a TV reporter, he’s a Globe and Mail columnist.

Now, name another sports journalist on TV today. I dare you. Rogers Sportsnet and TSN produce hours and hours of what purports to be sports “news” every week. A viewer is warned not to hold his or her breath waiting for journalism. For the most part, say 80 percent, the coverage consists of highlights from earlier action. On earlier shows there’s the odd preview of upcoming action. The rest of the show is filled with banter and lists of the top plays, best fights, whatever can be scrambled together from the archives to fill out the hours. But journalism, as in WHY an event or situation occurs and where it’s going, you won’t find it here.

It seldom existed on local television newscasts either. When you have only five or six minutes to recap the day’s events there is little room on the sportscast for actual journalism.

The one place I would expect some enterprising sports reportage in Canada is on hockey broadcasts. Now that games come in at just over two and one half hours there is a 30 minute hole to fill, and that’s on top of two 15 minute between period segments. So where are the stories? Where’s the field work? Where’s the old “up-close-and-personals” that we see on the NFL coverage and even NBA coverage. The same sportscasters that lament the lack of star power in hockey are doing nothing to alleviate the problem.

Hockey Night in Canada is truly a wasteland. The first intermission is always Coach’s Corner with Don Cherry and Ron MacLean. I will be the first to admit that it’s an entertaining segment. It’s like waiting for a train wreck. When is Don going to say something stupid about fighting or foreign born players? How will Ron get a word in and when he does what silly pun will the viewers be treated to? Between Don’s “I told you so’s” and Ron’s slavish support of the dinosaurs of hockey it is all too predictable and lacks any semblance of information.

Cut to the second intermission and the viewer is treated to a panel of rumor mongers led by Al Strachan. Has anyone kept tabs on how many times Al’s insights turn out to be correct? I suspect they are few. In any case this is inside hockey talk that speaks to a small minority of Canadians. If you want to sell the game and increase the ratings it’s time to go back to story telling. When I was a youngster there were actual feature stories on players, coaches, owners, referees, etc. They created interest in the people around hockey. They introduced us to the personalities that make any sport more accessible.

It’s not any better at TSN. The same panel returns intermission after intermission with the same predictable opinions. No depth. Nothing new. Cheapo TV that fills minutes rather than enterprising reporting and journalism that could really wow an audience. On TSN they even use the same formula for football, but at least on CFL coverage they do have the Brian Williams stories.

It is frightening to see how low game coverage has sunk to in Canada. Interestingly this has come at a time when sports journalism has been growing by leaps and bounds in this country. The newspapers are doing a great job. The Globe and Mail in particular has a fine group of writers and columnists. You seldom pick up a sports section without seeing great stories, interesting commentary and real insight into what is happening in the sports world. Writers like Stephen Brunt, Dave Shoalts, and Bruce Dowbiggin in the Globe and Damien Cox and Doug Smith in the Toronto Star never seem to fail in finding new stories and new angles that make one think about sports in new and interesting ways. They engage their readers with new information and new insights.

Even on radio, where sports radio has talk shows like Bob McCown’s show on The Fan 590, to delve into the issues by going to experts and people in the know. Sure, they have panels too, but they don’t stop there. McCown and the other radio hosts get interviews with general managers, coaches and players. They talk to Jim Balsillie and his lawyers. They get legal experts and business experts to help us understand the underlying decisions being made by leagues and teams. There is a strong attempt to answer the only real journalistic question: WHY.

At a time when sports is as much about the legal and business affairs of players, teams and leagues Canadian television is dropping the ball.

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Battle of the Blades

When I first heard about it I thought it was one of the truly dumbest ideas for a new television show that had ever been contemplated. A bunch of rough and tumble former hockey players lacing on figure skates and pairing with some of Canada’s best female pairs skaters, who thought this would be a good idea? Only the CBC could come up with this concept and allow it to get to air.

Guess what? I was wrong. I hesitatingly tuned in to what I expected to be massive disaster. Perhaps I even subconsciously wanted it to fail. I used to like to think I knew a good idea from a bad one. But I was hooked. Not only is Battle of the Blades a well produced and conceived TV show, it is utterly charming entertainment that both men and women can love and most of all, and this is what the CBC and the producers deserve the most credit for, it is the first originally Canadian reality show. Battle of the Blades may even be the first truly original Canadian TV show.

For those of you who didn’t tune in on Sunday night I will describe the show. Half-a-dozen former National Hockey League players, from goons like Tie Domi to pretty boys like Ron Duguay, are teamed up with some of the best female “pairs” skaters this country has produced. They train for a “LIVE” free skate together and their performances are judged by a panel that includes two great Canadian figure skating stars, Sandra Bezic and Dick Button and a third judge that will change every week, in this case it was former L.A. Kings goaltender Kelly Hrudey. Of course there’s the great build-up with lots of pictures of the hockey players falling over their toe picks and dropping the women in practice sessions. All this beautifully sets up the expectation of disaster. Finally we come to the time to perform and a glitzy, beautifully lit set has been created at Maple Leaf Gardens with a live audience on hand to lend atmosphere to the proceedings.

As it turns out almost all the hockey players do very well. Ron Duguay in fact, looks like he could have been a great figure skater had he not been a very good hockey player. Sure most of the artistic skating was performed by the women, but the men, except for Bob Probert, the former Chicago Black Hawk fighter, did not look out of place.

It was a truly riveting hour of TV. Yes, many watched to see the men fall or the possibility of a train wreck, but what every viewer got was not disappointing: they were entertained.

Where the show sparkled was in its down home Canadian charm. This was not a program that attempted to be anything that it wasn’t. There was no pretense. It was a bunch of jocks, regular guys, Canadians having a great time doing the unexpected. The female skaters seemed to enjoy it as much as the hockey players. The charm of the characters continually shone through. In the end I found myself liking each and every one of the skaters.

Donald Button was perfect as both a judge and a personality. He made it fun by being willing criticize as well as praise.

The only negative I could find was Ron MacLean. Is it me or is MacLean becoming so predictable with his bad puns and dry humour that I prefer to turn off anything he is involved with. A few years back I wondered why CBC was giving him a hard time when his contract was up. Now I think it’s time for Ron to hang up the mic and for CBC to find another sports host.

When Battle of the Blades comes back next year, and based on the great ratings for week one I’m sure it will be back, I would like to see a few more hockey stars like Ron Duguay and Tie Domi, guys who are showmen; hockey players who are happy to display their infectious enthusiasm. Skating ability is secondary on this show, having fun is what it is all about. That goes for the audience too.

The TV Tax – An Update
On a very different note, a few weeks ago I would have bet the farm that the CRTC was going to rubber stamp the CTV, Global and CBC request to be paid by cable and satellite companies for distributing their signals. The bogus claims by CTV and Global that this was to save local TV seemed to have some resonance with both the politicians and the people.

Now, after an effective counter attack by the cable and satellite companies it appears the networks might not get their undeserved millions. Polls are showing a vast majority of Canadians are against what is really a new tax on television in Canada. I don’t know if this is the reason but the Harper government has stepped in. They have asked the CRTC to look into how the new charges would affect Canadian TV viewing and how Canadians feel about the new levies.

To me this seems like code for “kill the new tax.” The CRTC is supposed to work arms length from the government but the request by the Conservatives is at worst a delaying tactic and at best a signal to the bureaucrats that they would be making a mistake to give the networks a $50 million windfall for nothing in return.

Stay tuned. We will hear a lot more about this before a decision is made.

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About the Author

Howard Bernstein is a former TV producer. He has worked at CBC,CTV, Global and has produced shows for most Canadian channels as an independent producer.

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